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The Design Trust 2024 diary + planner FREE business planning course

Dear , A big welcome to The Design Trust 2024 diary + planner free course

2024 The Design Trust planner diary 4 front covers horizontal banner 2
The 2024 hardback journal planners and the 2024 ring-bound diaries

are you ready to make the most of your 2024 diary & journal planner?

Welcome to your FREE 6-hour online business, finance & marketing planning course with The Design Trust, which is part of your purchase of the 2024 diary planner or journal planner.

I hope that you are really looking forward to 2024 and to make your creative business even better. With the help of our diary & journal planner and this free course!

You can find the recordings of all the pre-recorded and the two live workshops in January here below. Simply scroll down to access all the recordings and presentations as well.

You will have access to this course page till the end of 2024, and you can return to this page as often as you like.

We recommend that you make a note of the URL at the top, or bookmark this page to make it really easy to return later.

We hope you will get so much from these training session that will boost your business, planning, finance & marketing skills, knowledge & confidence!

Patricia van den Akker & Anne-Marie Shepherd – The Design Trust – the online business school for designers, makers & other creative professionals


video training: one-page-one-year-business plan (1h38″)

You can watch the recording of this session by clicking on the triangular button. If you want it full screen then press the four-arrow button on the recording. To return to small screen press the Esc button on your keypad.

This recording has English subtitles, that you can switch on/off by clicking on the cc icon in the bottom right of the recording.

This recording is annotated which means that it’s divided into ‘chapters’. Hover your mouse over the bottom of the recording on the broken links to see the chapter titles. This makes it easier to stop/start the recording whenever you like.

You can download the presentation of this recording here below. Please note that this is for your own personal use only and should not be shared with others who have not purchased the 2024 The Design Trust diary or journal planner.

Download “The Design Trust One Page One Year Business Plan workshop – 2024”

This training recording will help you to create a business plan for 2024, and uses The Design Trust 2024 A2 wall planner. If you pre-ordered our 2024 diary or journal planner then you will have received this as a free gift, and many of you have purchased this too. Alternatively use a large piece of paper to create your own one-year-one-page business plan for 2024.

In this session Patricia will share:

  • Some very useful goal setting, creative business planning and time management techniques to help you set better goals for yourself and your business.
  • The 9 steps that you need to go through to create an annual business plan.

We recommend that you spend 2-4 hours on creating your own business plan for 2024. You can stop/start the session whenever you like


video training: end of year review (38″)

You can watch the recording of this session by clicking on the triangular button. If you want it full screen then press the four-arrow button in the bottom right corner. If you want to return to the regular screen then press the Esc button on your key board.

This session has been annotated (see the interrupted link at the bottom of the recording). Hover of this with your mouse to make the various chapters visible. This will make it easier for you to start/stop this session or to watch a specific part again.

This session has English subtitles that you can switch on/off by clicking the cc button on in the bottom right of the recording.

You can download the presentation of this session here below: We recommend that you change the printing settings so that you get 4 slides on one page. Please note that this is for your own personal use only, and should not be shared with others who didn’t purchase a 2024 diary or journal planner. Thank you.

Download “TDT 2024 diary or journal planner / End of Year Review 2023”

This is part of our tradition at the end of the year … The End of Year Review. In this reflective session Patricia asks 7 big questions to reflect, review and celebrate 2023! Each have several layers. Some questions will be easy to answer, some might need some more work or research into your numbers. Some are thought-provoking others are inspiring. Do all of them or choose the questions that work for you!

Patricia also asks questions that might help you to get ready for 2024!

To do the full End of Year Review we recommend around 2-4 hours. But of course you can decide to only focus on 1 or 2 questions, and still get a lot out of working on those! The big advantage of learning online is … that you can stop / start this session whenever you like so that you can write down your answers in your own time.

You can use the End of Year Review pages at the end of your 2024 diary or journal planner with this training, or you can use a notebook. We recommend that you might want to do this review away from your usual workspace … and it’s perfect for that quiet period between Christmas and mid January.


video training: Quarterly planning & reviews (1h38″)

You can watch the recording of this session by clicking on the triangular button. Press the four-arrow button on the bottom right of the recording to make it full screen. Use the Esc button on your keypad to return to regular screen.

This recording is annotated which means it’s easy to stop/start the recording or to watch a specific session again. Hover your mouse over the broken line at the bottom of the recording to see the different chapters/exercises.

This recording has English subtitles which you can switch on/off by clicking on the c/c button in the recording.

You can download the presentation of this session here below. We recommend that you change the printing settings so that you get 4 slides on one page. Please note that this is for your own personal use only, and should not be shared with others who didn’t purchase a 2024 diary or journal planner. Thank you.

Download “TDT 2024 diary journal Quarterly Reviews & Planning – free course”

This video training explains in detail how to do the full Quarterly Review and Planning, with every exercises in the recurring quarterly planning explained in more detail. Patricia gives more detail about each of the different exercises and shares examples too of full plans, specific activities that you can do to improve your marketing or finance or other aspects of your business. She finishes this session by explaining the Quarterly Content Calendar with top tips on social media & email marketing too.

We highly recommend that you watch this session to give your planning, finance & marketing a boost and to get more examples.


video training: live workshop business planning (2h28″)

You can watch the recording of this live session by clicking on the triangular button. If you want it full screen then press the four-arrow button. To return to a regular screen press the Esc button on your key board.

This session is annotated (see the unbroken line at the bottom of the recording) to make it easier to stop/start watching this session. Hover your mouse over the line and you will see the different chapters.

This session has English subtitles that you can switch on/off by clicking on the cc button.

You can print off the presentation of this session below. I recommend that you change the printer settings so that you can print more slides on one page. Please note that this is for your own personal use only, and should not be shared with others who have not paid for the diary or planner as it’s our copyrighted materials.

Download “TDT 2024 diary planner free business planning workshop Jan 2024”

In this first free live workshop session for 2024 diary & journal planner buyers we will look at creative business planning:

  • How to access the course hub.
  • A quick intro to how the planning system works that Patricia has created. How often and when & what to plan? From big goals to annual goals, quarterly projects to monthly plans, to weekly & daily actions. Turn big ideas into do-able activities to make them possible!
  • The foundation:
  • 1) What’s your business dream? (p. 11) Your bigger purpose and longer term.
  • 2) Why do you do what you do? (p. 14)= your motivation = where do you come from?
  • 3) What are your values? p. 15 – 19) = What’s important to you? The glass jar exercise (p. 17)
  • The core 4 business areas to create a sustainable creative business – you, finance, marketing & creative production
  • What are your business goals for 2024? p. 12-13
  • What do you want or need to work on … for your mental & physical health? Your finances? Marketing? Creative production? Set goals and SMART activities. How to spend your time?
  • The big challenges …
  • 1) How to stop procrastinating? The 6 reasons why we procrastinate and what to do about them?
  • 2) How to stay on track?
  • 3) How to plan for unpredictability?
  • Want more support? Join our 2024 Quarterly Dream Plan Do Club!

video training: live workshop finance & marketing planning (2h29″)

You can watch the recording of this live workshop by clicking on the triangular button. If you want it full screen then press the four-arrow button. If you want it regular screen again then press the Esc button on your keyboard.

This session has been annotated (see the broken line at the bottom of the recording) to make it easier to stop/start the session or to find a specific chapter to watch that again. Hover your mouse over the broken link to see the chapter names.

This session has English subtitles that you can switch on/off by clicking on the CC logo on the recording.

You can download here below the presentation of this session, as well as the Excel template to create your own financial forecast. Please note that these are for your own personal use only, and should not be shared with others who have not paid for the diary or journal.

Download “The Design Trust 2024 diary planner Finance & Marketing Planning workshop – Jan 2024”

Download “TDT Financial forecast in 3 steps”

In this 2nd and final free online workshop Patricia shared:

  • How to get back in charge of your finances …
  • Is your creative business viable? The very useful and strategic 3 Question exercise (see p. 28-29) And what to do if your numbers don’t stack up? (p. 29)
  • Have you set a financial goal yet? (p. 24-25) Why this is so important (especially if your turnover is low).
  • Creating your financial forecast (p. 26-27)

Real client questions around finance (from the registration form):

  • “How do I do a realistic budget in these unpredictable times? Or if I have never done one before?”
  • “My costs are going through the roof! What do I do?”
  • “How to price my time when a product takes a long time to make?”
  • “Is there a formula on how to spend my expenses?”
  • “How do you balance pricing your work when most galleries take a 50% cut?” We highly recommend you to read this blog post on our website.

Fundamental marketing:

  • What do you want to be known for? (p.33) and identify your brand values (p. 33)
  • Our marketing mantra: “People only buy from people they know, like & trust” (p. 34) How to build your profile, credibility & trust.
  • Who are your ideal clients? (p. 38-39) How to identify them & get to know them.

Real client questions around marketing (from the registration form)

  • “How do you make time for marketing? I am so busy already?”
  • “How do I find my ideal clients for my jewellery workshops?”
  • “I am not very good at writing. What’s the best way to do email marketing?”
  • “How do I encourage my clients to stay with me, even though I have increased my prices?”
  • Create a marketing plan in 3 steps: Set a financial goal, what are the marketing projects, what to do … if you want more online sales, trade orders, get higher end commissions, more from event sales, local sales and workshops.
  • How to keep your finances & marketing on track?
  • Patricia answered even more finance & marketing questions at the end of this session.

*BONUS’ video training: live workshop ‘planning with adhd’ with amanda perry (1h17″)

You can watch the recording of this session by clicking on the triangular button. To get it full screen press the four-arrow icon in the bottom right of the recording. To get it full screen again press the Esc button on your keyboard.

This recording has English subtitles that you can switch on/off by clicking on the CC logo in the bottom right of the recording.

We have annotated this recording – hover your mouse over the broken link at the bottom of this recording to see the titles of the different chapters. This makes it easier to stop/start watching specific parts of the video.

We invited ADHD expert Amanda Perry to talk to our Business Club members, but as we thought that our 2024 diary & journal users would find this session useful too we extended the invite, so this is a BONUS session for you! And I think a very useful one indeed. In this session Patricia interviews Amanda, and they discuss the following:

  • What are the specific planning challenges for creative business owners with ADHD (traits)? From time blindness and seeing time in a differnt way to executive decision making to impulse and perfectionism.
  • What are some of the bigger and practical solutions to manage your ADHD. (And yes it’s very personal for each person!)
  • Is being employed or self-employed better suited to people with ADHD? The structure versus the flexibility …
  • How to manage finance & marketing (two specifically challenging areas for business owners with ADHD)
  • Dealing with the extremes of ADHD – the hyperfocus vs procrastination and burnout, and the very low self esteem and even self-loating versus very high expectations (God mode as Amanda calls it).
  • What are the positives & strengths of ADHD?
  • Questions from the audience around managing ADHD.

Find out more about Amanda Perry and how she works with founders and business owners on her website. Her Instagram account is very useful too.

The design trust’s ultimate resources guide 2023/24 – downloadable e-book

Resources Guide Course Logo

THE DESIGN TRUST’S ULTIMATE RESOURCES GUIDE 2023/24

Do you want to get our ‘black book’ with the most useful resources & contacts for creative businesses in the UK?

We have done it again! We have spent literally hours checking and collecting the best websites, organisations, books and experts for professional creatives, and put them all together in this beautifully designed, 63-page downloadable e-book. We have selected the most important business resources for creatives (685 in total!), including must-known organisations, websites, magazines, apps, podcasts and much more! Each has got a clickable links to the right website or page, and it’s organised in chapters so you will save yourself a lot of research.

From creative and cultural business support organisations and funders, to our favourite finance books and online marketing sites, to productivity apps and podcasts.

NEW FOR 2023/24: We have added new resources incl. creative membership networks, disability organisations & grants, residency opportunities, video editing software, and new chapters on sustainability, ADHD.

You can download The Design Trust Ultimate Resources Guide 2023/24 below to access all resources immediately. We recommend that you save this on your own computer to access at any time throughout the year.

the key facts:

  • 685 hand-picked business resources for creatives
  • Beautifully designed with 63 pages
  • Easy to download to your computer and use whenever you need to – with one-click link to 100’s of resources
  • Packed full with our recommendations – saving you time + inspire you to find out more
  • Fully updated for 2023 (June)
The Design Trust Resources Guide 2023 24 Front cover on white

Now in its 4th year of publication, The Design Trust Ultimate Resources Guide 2023/24 is packed full of our recommended business resources for designers, makers, illustrators and other professional creatives.

We have done all the hard work for you to give you the most up-to-date list of handy business organisations, websites, books, apps, podcasts and more.

It’s like getting access to our ‘black book’ full of useful contacts!

Beautifully designed by designer Laura Danby (with 63 pages) and very easy to use, The Design Trust Ultimate Resources Guide 2023/24 shares 685 hand-picked, small creative business resources in 14 chapters, including:

  • Our recommended creative & cultural business support organisations, websites, books, grants & awards, creative business magazines & podcasts, intellectual property & copyright, Brexit resources and other key UK government support.
  • Our finance & funding recommendations, including our favourite finance books for creatives, funding blogs, grants & awards, financial apps, insurance & accountancy software. New for 2023/24 are our favourite finance podcasts! (And they are good!)
  • Our recommended online selling, social media and email marketing blogs, experts, e-commerce software, the best creative online market places, directories & portfolios, and useful apps for your website and SEO. Plus our own favourite social media accounts to follow on Instagram and TikTok.
  • Our favourite resources to help you sell, including UK craft fair & design event organisers, support organisations for UK and international shows, popups, exhibition & stand display, packaging, retail experts and wholesale. We have added also more creative workspaces and residency opportunities this year.
  • Our favourite branding & photography books and experts, free stock photography sites, recommended packaging companies and CRM software.
  • Our recommended productivity & time management books, apps and tools, as well as IT solutions and creative freelance support.
The Design Trust Resources Guide 2023 24 Content page on white
The content page of The Design Trust Ultimate Resources Guide … with 14 chapters
The Design Trust Resources Guide 2023 24 Time Management mint on white

updated for 2023/24

We have checked EVERY listing again, and deleted all organisations or websites that are (unfortunately!) no longer around, and have added more resources through our extensive research.

We have added complete new groups including: creative memberships & networks, disability organisations & grants, finance podcasts, residence opportunities, and video editing software.  And 3 new chapters: Sustainability, ADHD and Getting a Creative Job.  

Each handpicked resource has a direct link to the website, app, book or organisation and from the contents page you can click through directly to the page you’re interested in.  

Downloadable & printable PDF with 63 pages on an A4 landscape.

Keep The Design Trust’s Ultimate Resources Guide 2023/24 as a file on your computer. Click on any resource and you will go straight to the right website link.

The Design Trust Ultimate Resources Guide 2023/24 is super useful and will save you lots of research time. Or just browse through it to get inspiration and details of organisations & funders that can help you and your creative business or simply to get recommendations for podcasts or books.

The Design Trust Resources Guide 2023 on computer
The Design Trust Resources Guide Social Media chapter page on laptop

Real Life: 3 design & craft fair organisers share their tips for successful selling events

There are so many fantastic opportunities to sell your design and craft products at craft and design fairs, markets and selling exhibitions. From small local events to larger high end fairs, taking your creative products to market is a brilliant way to promote your business, meet and build relationships with customers and of course make sales! You can see our selection of 2023 craft and design selling events here.

We asked 3 of the best craft & design event organisers (Sinead Koehler of Crafty Fox, Sally Thomas from Craft in Focus, and Sarah James from Craft Festival) to share their expert tips to get ready for a selling event, to make the most of the opportunity, and what to do during the show!

Crafty Fox Market
Crafty Fox Market

SINEAD Koehler from Crafty Fox Market

Tell us about you and your events and what you have lined up in 2023?

‘I have been running Crafty Fox Market since 2010, hosting markets across London, festival concessions and a creative community.

I started the market originally because I felt there was a lack of community in the the markets I was attending with my handmade jewellery.

I love working with creative businesses and seeing them flourish and grow. I also teach at Central Saint Martins as part of the Culture and Enterprise department and I enjoy bringing examples from the craft scene to my teaching practice. 

Currently we are working towards our spring market weekend at the Crossing in Kings Cross. We’ll be featuring 90 unique makers per day plus creative workshops too. We are also recruiting traders for our festival markets at We Out Here Festival which takes place in Dorset in August. There are several exciting new collaborations on the horizon too for the latter part of the year which we can’t wait to reveal!’

What advice would you give an exhibitor getting ready for a craft event?

Start talking about the event to your audience as early as possible – markets are successful when everyone works together to promote them!

Think about the audience at the event in deciding what to bring and reach out to anyone in your network who has done the event previously to see if they have any tips on what to expect.

It’s a good idea to practice your stall layout in advance so that you arrive at the event ready to set up quickly, rather than spending ages moving things around. If you don’t have a table at home which matches the table at the event, measure out the space on the floor. Make a packing list of all the things you need to bring to the event and order any supplies nice and early. Don’t forget things like a table covering and signage as they can make all the difference to the aesthetic of your stall.’

How would you like to see an exhibitor getting involved in the marketing for the event?

We send all exhibitors the digital artwork for the flyer in advance and we also publish trader listings on our website.

Keep sharing the event details on your social media and also include it in an email newsletter (if you have a mailing list!). Your audience will love to hear from you and they will enjoy an opportunity to come and see your products in person.

You can also cross-promote with other makers taking part – why not pick 10 other makers that you are excited to see from the trader listings and give them a shout-out on your social media? It’s likely that many of them will return the favour. In the week before the event, it’s time to step up the excitement levels and keep posting every day – it all really helps with attendance.’ 

What three things are must haves for an exhibitor to have on their stand?

  1. Bring snacks and drinks to keep you going throughout the day. If you are by yourself, it can be difficult to leave your stall to get food so come prepared as it really helps to keep your energy levels up
  2. Think about whether lights are helpful in selling your product and don’t assume there will be electricity available. We ask exhibitors to bring battery powered lights where possible. 
  3. Charge all your devices in advance, make sure mobile card readers are updated and working correctly and make sure you are ready to take those all important payments.

Can you share one extra piece of advice for an exhibitor showing at a craft & design event?

My final piece of advice is to bring your good energy along! It makes a huge difference to how the day goes when a trader arrives excited and full of positivity rather than being anxious / unwell / hungover / tired etc…

If you are not feeling your best on the day, try to channel positivity by chatting to fellow traders, being positive and enjoying the day as much as possible  – a good supply of chocolate can help too!

Be kind to the organisers if things don’t work out exactly as planned – there’s a LOT of hard work that goes into making events happen and even when we do our very best, occasionally things go wrong – remember, we all want the same end result of a very successful event.’ 

Celebrating Ceramics13
Celebrating Ceramics at Waterperry Gardens

Sally THOMAS from Craft in Focus

Tell us about you & your events, and what you have lined up in 2023?

Craft In Focus has become widely recognised for staging contemporary craft fairs with a stunning and varied choice of professional makers and artists including Desire Jewellery & Silversmithing Fairs (at Chelsea and RHS Garden Wisley), Celebrating Ceramics Festival at Waterperry Gardens and mixed discipline events at RHS Garden Wisley, RHS Garden Hyde Hall and Hever Castle. 

We have a strict selection process ensuring only the best makers are selected and ensuring that there is no imported, bought in or mass-produced work shown.  We have a loyal following of visitors with our spring event at Wisley attracting the largest attendance for any UK craft fair.    

What advice would you give an exhibitor getting ready for a craft event?

Read everything the organiser sends you in advance.

Ensure you know where you are going when you arrive on site (and at what time) – set up times are often staggered by the organiser to allow time for all exhibitors to get in to unload.  Make allowances for possible traffic delays.  Make sure you allow enough time to unload and set up. Know your stand number

Have a packing list and tick off as your pack your vehicle.

Know what you’re getting in terms of stand size, shell scheme, etc.

Plan your stand ensuring you have lighting, height to your display, place for storing & wrapping, etc, a backdrop to your stand/work, graphics.  And make sure it all fits in the stand space you have been allocated!

Have a broad range of products in terms of price and clearly label prices or have a ‘prices from…’ sign.

Make sure you’re ready for when the show opens to the public.

Collect customer details during the show so you can follow up.

Smile and maintain a positive and friendly disposition!

Don’t sit reading a paper or on your phone.

Don’t rely on the organiser to do all the marketing – they inform people about the event but nobody will know you’re at the event unless you tell them!  Use social media, email marketing, your website, postal mailings and tell people at other events you may be showing at beforehand.

How would you like to see an exhibitor getting involved in the marketing?

We’d love for all exhibitors to give out leaflets at other events or post them out to their customers, shout about their participation at the event on social media (before and during), email their customers and share our own social media posts. 

Word of mouth works so well and it’s lovely to hear exhibitors telling visitors about our other events and the venues.’

What three things are must haves for an exhibitor to have on their stand during a show?

  1. A reliable method of taking payments (tested before the event).
  2. Good lights no matter what and where the venue, fairy lights will not do.
  3. Clear pricing. If customers can’t see the price they assume it’s expensive and if they are not confident they would rather go without than ask. It has to be easy for people to buy so they don’t have to think too hard so that you catch those impulse sales.

Can you share one extra piece of advice for an exhibitor showing at a craft & design event?

Make friends with your neighbours first thing! Start off on a happy relationship with them and it makes the whole show easier! If you’re on your own they can watch your stand whilst you pop to the toilet or grab some food, and you can do the same for them.’

Craft Festival Cheltenham March22 Brett Payne Stand
Craft Festival Cheltenham. Brett Payne Silverware

Sarah James from Craft Festival

What events have you got coming up this year?

‘2023 is proving to be a particularly busy year. We have Craft Festival in Cheltenham in March and again in November. Craft Festival Bovey Tracey is in June and Nourish Festival on September 9th. Applications are open for Cheltenham in November and Nourish Festival.’

What advice would you give an exhibitor getting ready for a craft event?

‘Visit other craft fairs and see how others are doing it and plan your stand in advance.

Setting up can be very busy and stressful, so lay out your stand in advance, take pictures and copy it on the day. You can still move things around, but it will help you calm your nerves on the day.’

How would you like to see an exhibitor getting involved in the marketing for an event?

‘There are huge benefits of promoting yourself ahead of an event. Telling your subscribers via email is an absolute essential. I email our people multiple times, but your customers want to hear from you. The more you do for yourself, the better the outcome will be for you. 

Instagram works very well for makers, but don’t forget Facebook. Many of our older visitors are still very active on Facebook so make sure you give that platform equal attention.

We give some tickets to each exhibitor, and we suggest that, unless they have specific clients/collectors that will use the tickets, set up a giveaway.

I think it’s best to try and encourage people to join your mailing list, rather than increase followers on Instagram. Basically, your mailing list belongs to you, your Instagram followers do not.’

What three things are must haves for an exhibitor to have on their stand during a show?

  1. A socket to charge your card machine/phone/ipad.
  2. An illustrated business card.
  3. A notebook to gather names for your VIP mailing list.’

Can you share one extra piece of advice for an exhibitor showing at a craft & design event?

‘Don’t burn out! Your best customer might arrive on the third day of an event. Our events are huge fun, you make life-long friends and it’s hard not to stay up late and enjoy the experience. But please pace yourself and make sure you plan 1-2 days off immediately after the event to rest and then you can hit the order books with gusto.’


Thank you Sinead, Sally & Sarah for your expert advice to make the most of selling craft & design events! If you have got any tips or advice for other creatives, or you have a question about how to sell more at craft and design events then post them in the comments box below.

Real Life: 3 Creatives share how they manage their email marketing

In these times of social media uncertainly – the hacked accounts, the bots, the lack of visibility and engagement and the persistent changes in how we are supposed to be using each platform – there’s something reassuring about having an email list and using it.

Not only that, research shows that email marketing is super effective when it comes to sales! There are 4 billion daily email users (Statista 2021) and 50% of people buy from marketing emails at least once per month (Salescycle 2022). Furthermore, a recent study by McKinsey & Co found that email marketing acquired 40 times more customers than Facebook and Twitter combined and generated 174% more total conversions than social media.

We talk about the importance of email marketing all the time in The Design Trust – we know it works! So we asked three creative business owners to share how they use email marketing in their businesses – from how they build their email lists to how often they send emails and the email content that they create.

Muswell Hill Creatives – North London

Muswell Hill Creatives (MHC) was founded in 2014 in Muswell Hill, North London by local freelancer Rachael Booth-Clibborn. The organisation brings together local artists and makers united by a desire to create original, high-quality products through skilled workmanship. The collective offers mutual support and provides a forum for growing each members’ creative business. Muswell Hill Creatives’ Maker Fairs, Pop Ups and Events are popular fixtures and showcase the area’s thriving creative community.

Muswell Hill Market
Muswell Hill Creatives North London Market

Here, Rachael shares the importance of email marketing and how MHC uses it:

“We have an MHC website and active social media accounts, but email marketing is an essential part of the mix. Our newsletters connect us directly with supporters who have signed up at events or online and feel an affinity with what we do.

Patricia at The Design Trust once said at a workshop I attended, “social media is like going out on the pull and getting an email address is like having pulled!”

This is so true.  Social media is not fail safe, so whilst having lots of followers is great, it comes with a risk if that’s all you rely on; ever-changing algorithms and the risk of losing your account or it being blocked, are ever present. Email addresses have more ‘currency’ and connect you directly with people you know are engaged with what you do, and you can build a relationship with them.

I use Mailchimp to send MHC newsletters every month. Sometimes more often if there is an event coming up. They feature events, workshops and news from our members. It’s a place to celebrate our members’ successes and milestones, to share great new products with photography and links to member websites to encourage sales.

We grow our mailing lists by using paper sign-up sheets (or iPad) at events, sign-up links on Instagram bios, subscription links in email signatures and on our website. We will occasionally prompt our social media followers to sign up or we’ll flag that a newsletter is coming out soon and encourage them to subscribe. Our makers use sign-up pop ups on their websites – some with a discount for a customer’s first purchase. They will also invite customers to sign up when they make a purchase at a fair or market.

Muswell Hill Creatives The Idle Bindery Notebooks Amy K 1
The Idle Bindery Notebooks

We know email marketing works. Customers often tell us at our events that they came along because they’d read about it in a newsletter. 

MHC founding member, Michele at Wyckoff Smith Jewellery, has this down to a fine art.  She’ll often send a newsletter out a day or two ahead of an event and will include a couple of products with links. We often get a notification on our group chat that there’s been a resulting sale!

We had a lovely response to a recent newsletter from a local maker who sometimes sells with us as a guest. Becca said “What a lovely newsletter! Full of interesting events and things, it’s great to see how everyone is flourishing. Testament to you at MHC.”

Karin Celestine (And the hare) – Textile Artist & Author

Karin Celestine lives in a small house in Monmouth, Wales. In their garden there is a shed and in that shed is another world. The world of Celestine and the Hare.

It is a place where kindness, mischief and beauty help people find the magic in the ordinary. Karin is an artist and author, who creates needle felted animals of charm and character, including the stars of their own delightful stop-motion animations and their series of story books for adults and children published with Graffeg.  Their joy in the world of nature is also reflected in their sculptural copper pieces which complement their felt-work.

Karin Celestine
Karin Celestine

Karin told us:

“To encourage people to sign up to my email newsletter, I have a sign up form on my website that pops up after a set time, and a form on my contact page with tick boxes for areas of interest.  My social media has a Linktree and ‘subscribe to my mailing list’ is one of the top links.  I have a tick box on my check out page that is auto ticked to ‘subscribe to my list’ for people who buy things. 

Every so often I’ll do a post on social media saying if you don’t always see my posts, make sure you subscribe to be the first to hear of new work etc.  

As my work sells quite quickly, I tell people to subscribe to my email list so they can be the first to hear of details and previews of when new work will be up for sale. I also tend to reply to enquiries with something about ‘subscribe to my email so you’ll be first to hear’. 

I usually email about once or twice a month, not more than 3 times as I tend to worry I am annoying people otherwise.

Sometimes they are just updates of collection releases or new book news. Sometimes I tell people what I’ve been up to, pictures of my walks in nature, what I’m reading, interesting podcasts, pictures of my work, a bit of chat about what I’ve been thinking about, behind the scenes type things. I talk about the seasons and what is happening in nature, what you can eat or forage or do in the garden, or some folklore of the season. These are a bit more work so I don’t do them too often. I used to do them every month but it became a stress so I just do them when I am inspired to now. 

Karin Celestine Work
Coracle Mouse by Karin Celestine – image: Yeshen Venema

I don’t offer discounts on my work but I would do a sale just for subscribers. Or I do an email that says ‘this mouse is hiding on the website for sale, can you find him’ sort of thing so readers have to search pages on my website, and maybe they come across new things they don’t normally look at. 

I have a button on my Mailchimp emails that says ‘don’t click’. It links to a page on my website and I change the message on the page each time, so people will often open the email to read it so they can click the button they are not allowed to click just for fun. It is silly but it works! I get a lot of traffic to the website from people clicking that button that they shouldn’t click! 

I find if I put a social media post saying ‘link in my bio’, people who click through will often subscribe to my emails from Linktree. 

The reminders to subscribe and the checkout tick are my main ways to get new email subscribers, though the checkout does result in a few unsubscribes!” 

Cynthia Kurth – Jeweller

Cynthia Kurth was born in Berlin in 1968 and now has a goldsmith workshop in the basement of a small terraced house in Bremen (D). During her training at the vocational college at the goldsmith school in Pforzheim and her studies at the University in Wismar, it was confirmed that her passion lies in designing unique pieces of jewellery in metal.

Without the need for sketches, Cynthia implements her ideas and designs directly in a creative process that is similar to drawing with silver and gold. She is particularly captivated by ornamentation, structures, patterns and surfaces. Nature, campfires and the dream of a simple life are also reflected in Cynthia’s fondness for medieval and fantasy stories.

Cynthia Kurth Rugen Meer
Cynthia Kurth

Cynthia told us how she uses email marketing in her jewellery business:

“For quite a while I thought that customers would be annoyed by receiving too many newsletters. So, I only sent out one per month, and sometimes I didn’t send one at all because I thought I have nothing to tell. Nowadays, I see newsletters not as advertising. I use them as the name implies: to spread my news.

That’s why I am now planning to increase the amount of newsletters to four a month. I choose working names for the four emails a month: Like helpful links, news about my life as a jewellery designer, favourite pieces of the month, what’s new or a monthly review. These names are just for me and my inspiration. This helps me to stick to my plan and to find content.

And I include one call-to -action in my newsletter:  mostly to generate traffic to my website.
I think it’s important to keep a newsletter short. No long essays. Those texts belong more on the website or a blog page. Email are more like entertaining ‘greeting cards’ rather than long, handwritten letters.

Cynthia Kurth Ring
Cynthia Kurth Ring

The first thing I created for my new website was a footer with a form to sign up to my newsletter. I love to see this as a friendly invitation to stay in touch at the end of every page on my website.

I also set up a landing page where I lead all interested people to: from social media platforms, with a QR code and or any other occasion. It´s easy to share that page and the subscribers are doing the double opt in on their own.
I also put the link to the landing page in the signature of my emails.

Another good idea is to have the sign up form in Linktree.

Every time I write a newsletter, I make one or two social media posts out of it. I either use a screenshot, a picture of me sitting at the computer with the newsletter on the screen or share a little bit about the topic.

For years I tried to get new customers using social media, and I had a considerable number of customers, to whom I mainly sent my good wishes at Christmas. But now I have the details of people who already love my jewellery.  I see my email list now more as my tribe, my supporters, and maybe like gallery visitors, which makes it easier for me to write to them regularly”.


We’d love to hear in the comments how you use email marketing in your creative business. What do you write about in your emails? How do you get more people to join your email list? We love to hear from you.

Real life: illustrator & artist jo scott shares how she promotes, manages & prices her art commissions

We love art commissions at The Design Trust! They can be a really great & reliable income stream and often really pushes you creatively too!

We wanted to share some real life stories about how artists work on commissions, so we asked our lovely Business Club member Jo Scott who is an award-winning dog artist, illustrator and designer. She works to commission, designs for Thortful, Moonpig and Cardly, and has her own line of greeting cards and gifts on sale to both independent trade shops and the general public from her online shop.

illustrator & artist Jo Scott at work

When did you start DOING art commissions?

“I started doing commissions by accident in 2013. I was planning my greeting card business launch and I was working in my old job in a software company. We needed a present for my mother-in-law’s birthday and with money a bit tight at the time I had an idea I could maybe paint her dog and find a nice frame. I surprised myself with the painting, I loved it, it gave me all the good vibe tingles and it did for others too, everyone loved it.

For the rest of that year, all friends and family got a dog portrait for their birthday or Christmas present!

It was when friends of friends, friends of family members and work colleagues started asking if I could paint their dog/cat that got me thinking that I could add commissions to my business. Throughout 2014 I had a steady flow of business for art commission work.

It wasn’t what I thought I’d be doing but commissioning has been a great addition to my business. It’s what people wanted from me and I think it’s something I’ll always offer“.

how Do you market & manage your art commissions?

I have a specific website page, dedicated to my art commissions. I try to answer all the frequently asked questions, have referrals from customers and lots of examples of my work on this page, along with clear pricing for my standard options and clear instructions of what to do if they want more than my standard offering.

I put my pricing info part way down the page so you have to scroll past some of my favourite reviews first.

I mention regularly to my email newsletter and social media following, showing examples of my recent art commissions I’ve worked on, whether or not I have free spaces and I share my work old and new and any customer photos, reviews etc.

Later this year I’m planning on adding some video to explain my FAQ’s in person and I think a personal interview of how I work on art commissions will be a great way for people to get to know me better.

I do one main event a year, CRUFTS, which is brilliant for commissions. I always run a competition to win a dog portrait. Anyone who enters and doesn’t win gets an email afterwards with a small discount if they’d like to pay for a commission instead.

The most useful thing I’ve put in place recently is a time frame for my commissions. Because we changed our lifestyle and we now travel a lot of the time, I’ve learned it’s difficult to paint art commissions whilst travelling, never mind shipping them post-Brexit when we’re abroad! I made a decision this year to only do commissions when I am in the UK. I should be here 3-4 months minimum every year and I have access to a studio space. I created a waiting list people could sign up for, anyone who enquires during the months I’m closed, is directed to my waiting list and all my marketing pushes people to my waiting list.

This year I immediately had 30 sign-ups, which is my average for the entire year anyway! It’s also a great way for me to work. It might not work for everyone, but 8-12 weeks of concentrated commission work really focuses me and I love the rhythm of it, then I can take a long break, forget about them to a certain extent and have a waiting list fill up for the next batch.

This has provided a bit of excitement and scarcity around my work and sales appear to be up as a result 😊.

How do you protect yourself & your commissioning client?

The first thing I do when I ‘book’ in a commission is email my client (I have a template for this) with a summary of what we’ve agreed I’ll do and the price they will pay and then how the process will work. That serves me well and is something I can refer back to if there are any queries later (I’ve never had any), the contents of this email, date, price, any notes are also in my spreadsheet for my reference.

I have a single point of reference for all my commissions, I am forever checking this spreadsheet, it is so useful to have. I also keep a running total of the price quoted so it’s nice to see what potential revenue is coming in.

It’s interesting that I rarely speak to any of my clients in person, I offer everyone a phone call but have only had one in the last year, all my communication is done via email, FB messenger, WhatsApp or Instagram DMs. I also pop in a column in my spreadsheet for which method of comms we’re using. Again this is seriously useful and time saving to refer back to weeks later when you’re wondering was our conversation on email, DM’s, WA or messenger?!

I make sure I read customer’s emails at least twice. There’s often a lot of hidden information in there and they may emphasise something that’s important to them. One recently made a point of telling me that their dog’s beard was shorter than it appeared in the photo and the dogs head was small and square. I was able to include this in the painting whereas if I’d just copied the photograph this may have been missed. The dog was sadly no longer with us so details like this take on an extra relevance and I like to get things right first time.

Working in watercolour I often make mistakes that are not easy to repair and I have to start the painting again from scratch. Over the years this happens less often, but I always factor it in, so if the client doesn’t like the end product, I will paint it again (once). I made a decision early on that I never wanted a painting to go out that I wasn’t, or more importantly my customer wasn’t 100% happy with.

My work is fairly quick, it doesn’t take me days or weeks to finish so I can accommodate this is my timescales.

If the painting gives me that happy tingly feeling I feel quite confident my customer will love it too. Occasionally I’m asked for the odd tweak or change, it’s never a problem, I actively encourage feedback and tell clients not to be shy if there’s anything that’s niggling them to tell me, I won’t be offended and will be happy to change it.

If they cried, laughed or did a happy dance then I know I’ve nailed it, my commission work is intensely personal to my clients and really quite emotional at times.

Any commissioning mistakes you could share with us?

I can only think of three times when it’s gone wrong

The first was a rookie mistake and in my first year. I shipped the painting before the client paid me. She really wanted it in time for a birthday and in theory the money should have arrived the day after I’d posted it… it didn’t and she disappeared. I have shipped before payment since but only to close friends and family and regular customers and I think then only once or twice. Definitely take payment before shipping!

Secondly … I work from photographs. I painted a dog from a photograph, the client loved the painting but said the dog was the wrong colour… turned out that the photo they’d asked me to use had a filter applied and so the dog appeared black instead of brown. I put this down to a lesson learned. The client was actually very apologetic, and once they realized what had happened they offered to pay and take the original painting, but I said no. I repainted it as brown, the customer was delighted and recommended me to lots of people, a few who then ordered themselves and I was able to sell the original ‘black’ dog in one of my original sales online at a later date.

And, I’ve found that clients who approach me from Instagram via DMs are different to my other clients who have come from Facebook or via email and my website. One time I agreed a price with a client and painted their dog. It was one I especially loved and felt I had ‘nailed’. It sparked so much joy in myself, I almost cried, never mind the customer! They came back with the comment that they just didn’t think it looked like their dog. This customer I walked away from immediately, I felt they were spoiling for a bit of an online spat, something had changed and their tone was defensive and a little ominous. I was very polite and said goodbye.

Again, the original sold nearly immediately in my online shop so no loss to me.

I think with Instagram a lot of people see my work and often ask for freebies. I get a lot of ‘can you draw my dog’ requests. My best and easiest clients are always the ones that have come via my website and had a good read of my information page. I’m trying to increase awareness of my prices and how I work on Instagram (progress videos on reels anyone?) I think this will help.

I am an empathetic person, I can read people well even via email, at the first ‘hint’ of any issues I like to tackle it head on with communication and double checking with my clients.

I don’t have any formal agreements or forms for them to complete or sign. I have a plan B for all of my commission work (I can usually sell the original or I can use the image in a card design or an illustration project), so should things go south on any particular project, I can safely walk away.”

Jo Scott atwork1

How do you price your art commissions?

This really is very difficult!

If I were starting commissions now with 10 years of greeting card design behind me, I’d be much happier starting out at the prices I charge now.

However, when I started, I was starting everything from scratch and I needed to grow into it, for me it’s connected to how I feel and I think I hit on my comfortable amount in 2020.

I track all my orders in a simple spreadsheet, one worksheet for each year, I started doing this from 2016 so I have figures dating back to then.

I think I started charging friends of friends £50 back in 2014. This was before I found The Design Trust and got professional advice, or really looked at my pricing properly so I was looking online at other artists like me. There were amazing artists on Etsy selling their work for £30 (even I raised my eyebrows at that at the time!) and amazing artists selling their work via their own websites for £700+ and when you first start out it’s difficult, you feel you can’t go in and charge £500+ without some proof or external validation that you’re good enough to do so.

I did keep my prices low to start with. I focused on getting good referrals from previous customers and photographs of my work with my customers and their dogs in their own homes and made a dedicated commission page on my website. I entered loads of art competitions and won a couple of awards, which again helped me ‘feel’ like I could raise my prices.

In 2017 I upped my prices and again in 2018 ,2019, 2020 and I plan to raise them again in April 2023 when I open for my next batch of commission work. Now I charge 2 standard prices; £225 for a single dog and £395 for a large single dog or 2 dogs in a single painting, these are set prices and there’s clarity about what’s included and what’s not (I.e. 3 dogs)

The majority of my work now comes from people who want something with 3 dogs, 4 dogs or I’ve had one for 8 dogs – you can see where this is going – they like my work and if they’re going to spend some money then they want ALL their dogs. I have one customer with a payment plan, I’m painting all 5 of their dogs past and present over 2 years. When I quote £700 for 4 dogs or over £1,000 for 7, customers have said they’d roughly worked out what it ‘might’ be from my standard pricing.

I’d also say don’t be afraid of what your existing customers might think if you raise your prices (I think that’s called people pleasing and is a different conversation, but it was something I worried about in the early days). I’ve recently had a return customer who first commissioned me 7 years ago, the price difference was huge, but they willingly paid the new price (OK I did give them a small discount), but they loved my work, wanted a painting of their new dog to go with the one of their older dog and they were overjoyed with the result and happy to pay the extra.

The best question I’ve asked myself is what would I be happy to pay for one of my own commissions if I wanted it to give it as a present to myself or a loved one? I’m also quite a good match to my ideal customer so if I ‘feel’ OK with it then I think my ideal customer will too.

If you are someone who is caught up in their feelings around pricing, then another good way to judge if your pricing is right for you is if you start feeling resentful when people are buying from you then your prices are too low. I haven’t come across my feeling for when my prices are too high, but if I feel it in the future I’ll come back and share it 😊”

Thank you so much Jo for all your Real Life advice! If you got anything out of this interview then share with us below in the comments.

Want to learn how to price, manage & promote your own creative commissions? Check out our Creative Commissions online course here.

Real Life: 2 designer makers share how they manage & price their craft commissions

Craft commissions can be a fantastic opportunity for any designer maker. Financially, creatively and often also personally! And they can be really good for your profile building too.

From creating a special ethical wedding ring to designing a unique piece of jewellery from old family jewellery. From creating a bespoke piece of handcrafted furniture for a small space to memorials.

Craft commissions build validation, enable more creative thinking and doing and can bring in good income.

But there is often a lot of organising involved … from promoting your craft commission to setting up initial meetings, pricing & negotiating your craft commmissions, ongoing communication with the commissioning client, the legalities, what to look out for and think about and also having something in place should something go wrong. It can be a minefield!

We invited two designer makers to share how they work on craft commissions – to inspire other creatives to think about commissioning work as a creative and profitable income stream.

jessie james of studio tuft

Jessie James runs Studio Tuft a small rug making business. She hand makes bespoke artisan rugs, and likes to think of them as pieces of art for your floor.

Jessie is all about sustainability and hand tufts everything in her studio at the back of her garden using ethically sourced dead stock rug wools. Jessie uses a professional standard tufting gun which is connected to an air compressor which gives her rugs a super luxurious quality feeling pile.

She has been making rugs for 4 years and left her job at the end of 2021 to focus on rug making. Jessie loves choosing the colours when she is making her designs and often draws on holidays abroad and in the UK for inspiration. 

Studio Tuft Studio

When did you start doing craft commissions?

I have always offered commissions. I now have a whole page on my website dedicated to it but before that I had a little sentence on each product saying that customers could commission this in any size or colour scheme to fit their needs.

I always wanted to be able to customise my products to each person’s home, which is why I offer custom-made rugs rather than stocking infinite colour ways. It’s important to let people know that you do that.

I also like to have a commissions board at the markets I do.

How do you market your commissions?

“I always try to spread the word that I do commissions and in fact I am about to do a social media push for commissions.

I think that having a graphic that you can re-post is good because its clear what you’re doing and then you can go into depth of the commission process in the caption or using other images.

I have a separate page on my website with a contact form and my email, so people can contact me in any way that they wish. I’m always updating this commissioning page making sure it works for clients and that it is as easy to use as possible.”

How do you protect yourself & your commissioning client?

“I try to get everything in writing so that I can refer back to things. If I have a conversation, I then email back and put what was said into writing.

I like to do a little ‘mock up’ drawing and send an invoice before I start making and once I have the OK on both the price and design I start ordering any extra materials.

I also ask for at least 1/2 the cost up front.

I try to keep it easy, calm and low pressure for the customer. My thinking is that if something goes really wrong at least I can still sell the product so I won’t be losing out.”

Studio Tuft 1 sunflowers

How do you price your commissions?

“I charge the same as my ready-made products.

I list prices for some generic sizes on my website so that people have an idea of the cost before reaching out. I think it makes people more likely to contact and actually go through with the commission if they have an idea of the price in their head to begin with. If the client wants me to dye up wools to match swatches, then I will charge extra for that, but otherwise I can use the price structure on my website”. 

How do you manage the commissioning process?

“It varies between clients and how they contacted me to begin with. Some customers come to my studio to pick wools and have a look at the designs. 

Once it’s all confirmed I often tell them to keep a look out on my Instagram stories as I often post my process there and they will see some parts of it being made.

I then let them know once I get to a certain part in the process (the latexing) and arrange delivery/ confirm delivery date.

If anything untoward happens, I will contact them but apart from that I just let them know when the rug being shipped out”.

What are the benefits of commissions for your business?

“A commission means you know you have income coming in, you’re making something knowing you will be paid for it.

The only problems I have encountered so far are my own fears! I always get super nervous when I send a commission off / deliver it because this is the first time they will be seeing it, but they always love it and it makes it so worth it”. 

Any tips for creatives just starting to work on commissions?

Get all the information you need confirmed before you start making or ordering materials.

Give people time to think and decide, don’t email back after a day. Let them have time and contact them again in a week or so rather than harassing them”. 

John Jacques – Radiance Furniture

John Jacques trades as Radiance Furniture. He designs and make original, award winning, beautiful and bold fine furniture from his studio workshop in Wiltshire.  He works closely with clients, designers and architects to create beautiful furniture and interior spaces, as well as making one-off and limited edition designs for galleries and exhibitions. 

JohnJacques Bench

When did you start doing craft commissions?

“When I first started making, I made some pieces for exhibitions but really with a view to getting craft commissions from them. 

Obviously selling work that you’ve already made is lovely, but for my kind of work (large, fairly high cost items of furniture), having lots of pieces ready for exhibitions and sales comes with it’s own issues.  They take up a lot of space, they can get damaged and scratched and if they don’t sell then that’s an awful lot of time and money down the drain! Working to commission eliminates all of that.”

how Do you market your craft commissions?

“These days I only do commissions and that is made clear in all my media; showing Instagram pictures of my craft commissions, mentioning them on the website and in the various profiles around the internet.

I had to accept that I wasn’t in a position to be too picky about the work I took on.  Bills to pay etc! 

But from that, I now have some very interesting work coming in!  It’s taken over 10 years of hard work and sometimes not knowing when the next pay check will be though…!”

How do you protect yourself & your commissioning client?

“I have a Terms and Conditions page, which I tend to send along with my quotes, although there is a lot of trust necessary in the client/maker relationship! 

I always get a deposit to book the time in my diary and cover material costs, and for larger jobs I will get staggered payments during the work too. 

I make all of this clear to the client at the beginning and I also check with them that they’re happy with this arrangement. Everyone has been so far….”

How do you price your craft commissions?

“There is no easy answer to this! 

I asked a lot of established furniture makers this same question when I started and they all said the same – it’s difficult! 

The equation is of course –  ‘time + material costs + expenses + profit (if you can add that without making it too expensive for the client)’. 

Working that all out before you actually do the work, especially when it’s something you haven’t made before, is tricky and really only gets easier with experience. 

My advice is try and break down the making process and list all expected hours.  Then once it’s been accepted and you’ve got started on it, forget about the money over time equation and just do a good job. 

And modify the next quote if necessary.”

John Jacques Blooming Lovely Flower Table No.2 Walnut Ripple Sycamore Burr Oak Glass

How do you manage the commission process?

“I generally have a meeting to talk about what the clients wants, then I try and let them know an estimate of cost OR get a budget from them.  This is essential otherwise there can be a lot of wasted time working on designs that are beyond the budget of the job.  Clients are disappointed that what they’ve been looking at is unaffordable, everyone is disappointed! 

I go in with an attitude of wanting to help the client achieve their goal.  I ask them to send me any images of pieces they’ve seen that they like the look of.  I may go back a few times to discuss design, detail and ‘check’ measurements (and take ones I forgot to take on previous visits!).

One issue is not putting too much time into it before getting a budget established and getting some kind of a payment for the design work. 

If it’s a definite, I’ll get a 50% deposit or if the clients are not sure about going ahead yet, I’ll ask for a couple of days worth of fees to cover the design process.  Mostly everyone is fine with that”.

Any tips for new creatives just starting to work on craft commissions? 

“Just do your best each time. 

Be nice and helpful and if a client has a vision, go with it.  I think when someone has a vision (an idea, a plan that they can see in their minds eye) it’s probably good, even if I can’t see it myself.  I like the process of bringing a vision into existence”.


We’d love to hear your tips for managing, pricing & promoting your craft commissions too. Please share them in the comments section below.

Want to learn how to price, manage & promote your own creative commissions? Check out our Creative Commissions online course here.

How to find and select the right craft fair for you?

Craft and design fairs come in many different shapes and sizes – from local craft markets to cultural festivals to major international gift or furniture fairs with thousands of trade visitors. But, how do you find and select the right craft fair or design event for you and your products?

In this blog post, you will find the answers to how and where to find the right craft fair, and then how to select the right selling event for your creative products – with 21 helpful questions to think about when choosing.

Crafty Fox Market at The Crossing Image by Yeshen Venema
Crafty Fox Market at The Crossing – photo (c) by Yeshen Venema

How and where do you find the right craft fair or design show?

In the last few years it has become much easier to find out about craft fairs and selling events. The most popular options are:

  • Do a Google search under ‘craft fairs UK’, ‘craft markets for new makers’, ‘design events’, or more specifically ‘ceramic shows’, ‘interior design shows’ etc. There are plenty of specialist websites to find craft fairs, trade shows, markets, such as UK Craft Fairs, Stall Finder, and Trade Fair Dates. For popup spaces Appear Here is a really good resource.
  • Check out specialist craft or design trade magazines, blogs and forums for exhibitions reviews, advertisements, leaflets or ‘call for exhibition’ classifieds.
  • Check for related hashtags on Instagram or other social media such as #craftfairs #craftshow #designfair #madeinwales or just follow other designers and makers and check them out when they are talking about the craft fairs and design shows they are doing.
  • Sign up for newsletters or follow social media platforms of creative business support organisations that share opportunities, such as The Design Trust Facebook, the Crafts Council and Craft Scotland. 
  • Specialist Facebook groups are a good place to find out about craft shows for new exhibitors too
  • Ask your peers! If you sell on Etsy then ask in your Etsy team. Check out the online CV’s of your role models to see where they have shown their work in the past.
  • Check out event listings websites such as Eventbrite or your local council or tourism support organisations.
  • And our The Design Trust A2 Wall Planner also shows the most popular craft and design fairs in the UK and abroad!

21 Questions to help you select the right craft fair

There are so many craft and design shows around at the moment that it can be hard to find the right one for you! And it is a very personal choice of course.

A show might be really great for one maker and not at all for another.

An event might be brilliant one year and less so the next.

Choosing a show is very personal and outside influences such as the weather or the state of the economy can play a major role too in the success of a show.

Firstly create a list of potential fairs and then start researching a bit deeper. We identified 21 questions or criteria to help you find the right one(s) for you:

1. Who or what sells at this event? What’s the purpose of the event? Is it a creative event or does it attract a wider audience? What kind of creative products and services are for sale at this event? Do other creatives sell there too and are your peers there? What’s the price level of the products for sale? Is there loads of food or activities for children too?

2. Who else exhibits there? Are they high profile people in your sector, professionals or amateurs? Are you happy to have a stand next to them? Is the show very competitive for what you do or would you offer a gap in the market? Is it a selected show or can anybody exhibit? What is the top and bottom price level of products?

3. Who are the main visitors? Who attends this event? Is it a trade or consumer show, or both? Are your ideal clients visiting? Is it a local, national or international show? Why are visitors coming to this show – is it a key event to place orders, to buy Christmas gifts, to browse, or to be entertained with the children during the holidays? Does the show attract high level buying clients or are there many tourists coming? Has the event got the right profile for you?

4. How many visitors will attend? Are visitor numbers in the 100’s or 1,000’s? Bigger isn’t always better. Think about what you would feel comfortable with!

5. When is the fair? Many fairs take place at conflicting times of the year such as end of January or September, and many Christmas craft fairs happen in November or early December. Think about when your ideal clients are most likely to buy so that sales or orders are more likely.

6. Does the timing affect what you can sell? It is really important for you to know what buyers will be buying and when: trade fairs in January are aimed at Mother’s Day and wedding gifts, trade fairs in September are often aimed at Christmas. For fashion it is even more stringent.

7. Is this event indoors or outdoors? Is it in a special venue and location or in a specially created venue? How would the weather potentially impact on the success of the event?

8. Can you sell at the show or only take orders? At most trade shows you can only take orders to be delivered later. At most consumer shows you sell on the spot, so you need to ensure that you have got enough stock and can wrap your products safely but nicely.

9. Where is the fair? Is it easy for you to get to, or do you need to find accommodation? Is there convenient public transport, or plenty of parking (for you and visitors)? London trade buyers are often reluctant to leave the capital, so make sure that the people you want to visit actually will come.

10. How many stands are there? What are the types and sizes of the stands? How big is the show – from a couple of tables to 23 halls at the Milan Furniture Fair!

11. What is the profile of the fair in your sector? How long has the fair been going? Does it attract good press coverage and key players in your field? Who sponsors the event? What are the ticket prices? Has the show grown or got smaller over the years?

12. What are the costs? How much does a stand cost (don’t forget to add the VAT!)? Do you need to pay an additional commission to the organisers on any sales (fairly common with craft fairs)? What is included in the fee? How much would electricity and lighting cost (often added separately and can be very expensive depending on the show)? Can you bring your own furniture or do you have to pay? Would you need to pay for accommodation and travel costs and potential help at the show? What would your transport cost be to get your products to and from the show?

13. What type of stand would you get? Do you need wall space or a corner space? Would you be at the front or back of a show (the latter is often far quieter)? What presentation material can you bring (many shows can supply jewellery display cabinets)?

14. How long is the show on for? Some fairs have very long and late hours and go on for a long time (The Milan Furniture Fair is on for 8 days!). Make sure that you know in advance, and potentially get help to enable you to do a show without a complete breakdown.

15. What promotion do the fair organisers do? Have they got a good reputation with buyers and press? Where do they publicise and promote the event? Do they attract the right audience for you?

16. Have they got special deals for first time exhibitors? Check this out as often there are special packages, group stands or special areas dedicated to new designers or crafts people. You often will get more training or support through workshops.

17. What additional exhibition support will they offer you? What will they do to promote you to potential buyers and press? Will they offer training or PR for new exhibitors?

18. Is this a juried event or ‘first come first serve’? The best craft fairs have an application process with a deadline as they are often very popular. Juried events are better quality but often more expensive too.

19. What are your chances of being selected? Some shows get far more applications than they have stands. Make sure that you know in advance what your chances are.

20. What’s the ticket price for visitors? Some events are free, while others in London charge more than £20. The cheaper shows often attract a wide range of visitors, who love to browse but they might not necessarily be serious buyers or collectors.

21. How will loading in and out work? This is often one of the main frustrations (at a time when you are either stressed or knackered)! Check if you get a time or parking space allocated, and how much time you will get unload and pack up.

How to get the answers to find the right craft fair

The more information you can gather, the easier it will be to make your decision.

1. Do your research! You can find a lot of information on the craft fair’s website about the type of event and exhibitors, the amount of visitors and who exhibits. You can read between the lines what the purpose and overall feel and quality is of the event. And the images will say a lot too! Don’t hesitate to phone or email the organisers if you can’t find the information you are looking for. You can tell a lot from how they answer!

2. I strongly recommend that you visit a show prior to exhibiting, so that you can make a personal choice if the show is right for you. Talk to stand holders about their experience, most of them are quite happy to give honest feedback to you (when they are not busy selling!). Check out if the show is full of people looking, or if people are actually buying.

3. Talk to exhibitors. You can see who showed before on the exhibitor list or talk to them when you visit the show. You can also do some quick research on social media to see if there are any negative or positive comments (although don’t believe everything you read online!) or how the event is rated on Trust Pilot or Trip Advisor.

Did you find this post about how to find and select the right craft fairs and design shows for you helpful? Have you got any additional criteria for selecting the right show? Do let us know in the comments box below.

Real life: 3 creatives share how they use email marketing

Did you know that email marketing is ten times more effective for driving sales than social media? We know that email marketing can be your most powerful marketing tool but … we also know so many creative businesses who aren’t using email marketing in an effective or creative way.

We invited three creatives to share how they use email marketing for their business to inspire other creatives to embrace email marketing too and see how it can help you to get more sales too.

Ruby Taylor of Native Hands

Native Hands is the teaching platform for artist Ruby Taylor. Courses are held in Sussex woodland, making basketry and wild pottery from materials foraged directly from the land. These courses have evolved out of a love of making things in the natural world using natural materials, alongside a deep interest in ancient crafts and technologies. Connecting with the living world, with ancestral knowledge and keeping traditional skills alive, are core aspects.

Ruby’s own practice as a maker is concerned with being immersed in the whole cycle of production: harvesting in a sustainable way, processing the raw materials, creating functional and sculptural pieces. 

RubyTaylorNativeHandsreed mace harvest 2

Do you enjoy writing your emails to subscribers or is it more of a ‘have to’ chore?

‘I find it a bit of an onerous task to be honest, mainly because it takes a long time, a good half a day to set up.

But once I’m doing it, I enjoy it. I like writing and putting an email together feels creative. I approach it with the attitude that I’m sending a letter to friends, one that I think they’ll find interesting. I try not to make it overly chummy though, that feels presumptuous and creepy.

I avoid hard sell, but I aim to be clear about what I’m offering in terms of courses and sales. I don’t like receiving emails that are waffly, that are hard sell, or that are very frequent. My inbox/brain are already full enough.

So, I make my emails the kind that I would like to receive myself. I use images a lot, and I try to include a video.

It’s a bit like putting a dinner together – tasty morsels with a variety of flavours, which also looks beautiful. I aim to be generous, to have integrity and to be relaxed.

I collect links to things that are of interest to me, and I share a few of these in each email: inspirations, information etc. And I also include a seasonal recipe.

I work on the principle that people on my list are interested in the same/similar things as I am, things which are connected to the essence of my work.’

When did you start emailing your customers regularly?

‘The email thing has been a slow burn as I’ve gradually found my voice and way of connecting to my audience.

I started emails early on in my business, probably a good 8 years ago, sending them more or less once a month since then. Usually, I get a handful of people emailing me back in response, often a few words of thanks or an enquiry about courses. Plus, a flurry of bookings.

I keep an eye on the email campaign reports; I sent out an email once that brought the most unsubscribes in one go that I’ve ever had, so that was an interesting learning.

I keep a clean list: I delete contacts if they unsubscribe or haven’t opened an email for a couple of years. I’ve learned to not take the unsubscribes personally, I just think- oh well that makes my list cleaner.’

How do you get more subscribers to your email list?

‘I try not to use the word ‘newsletter’ it sounds so dry- but I also try to be straight with people about signing up to receive my emails.

I don’t have a pop-up box on my website because personally I hate them (and I always tell them to eff off as I’m closing them on a website I’m visiting).

But I do have it highlighted on all the important pages of my website for people to keep in touch with what’s happening and send people a link to it when they make any initial enquiry.’

You can sign up to Ruby’s email list here.

What made you acknowledge that email marketing was beneficial to your business?

‘I really experienced the value of my email list during the pandemic when I wasn’t able to teach courses (my main income stream). I had time in my studio instead, so I made a body of work and offered it for sale, using my email list as the main sales portal. I had a tremendous response, everything sold, it was incredibly supportive and affirming; it showed me that the connections I’d nurtured were real and meaningful.

Although I also promoted the sale of that work thoroughly on social, I had only one or two sales from there.

During that same time, I continued to email monthly, with supportive info, posts, poems etc and I had many direct responses from people appreciating these. It felt important to keep in touch with people in a humane way and not in a selling way. Anne-Marie Shepherd from The Design Trust once said about posting on socials, that a good aim is to ‘spread the love’. That really stayed with me and is always in my mind when I post/email etc’

My email list feels more solid and real as a means of connecting customers to my business than social media does.  Social is great, but it doesn’t seem to bring in the bookings or sales. Lots of my social followers are other makers, not necessarily customers/potential students.’

Grace Alexander of Grace Alexander Flowers

Grace Alexander is a consultant clinical psychologist, a writer, a flower grower and a seed merchant. Her business, Grace Alexander Flowers is based on the ‘Slow Flower’ movement, emerging out of a love for her garden, her countryside and her ground.

Grace recently published a book Grow and Gather, which follows the annual cycle of growing cut flowers, from sowing in spring to seed-collecting in autumn.

Grace Alexander 460x460 1

Do you enjoy writing your emails to subscribers or is it more of a ‘have to’ chore?

My newsletter is completely different to any other bit of my business. The rest of it is chaotic and organic and evolving and changing.  My newsletter is a touchstone. A fixed point. A repeating beat in my business week.

I came across an article in a pile of very old magazines that I was attempting to throw away (everyone flicks through them first, don’t they?) on William Cresswell, a gardener at Audley End in 1874. He wrote just a few lines every day on his planting and sowing tasks, the weather, what was flowering. A few words but reading it as a whole was so evocative and wonderful.

I’d been niggling for years about writing a newsletter and I’d signed up to webinars and read eBooks and was feeling completely overwhelmed and confused about how to take the step into people’s inboxes. In the end it was a few lines in handwritten script that showed me the way. I write in my journal every day and it is combined with gorgeous images and sent out on a Sunday night for my readers to have with their end of weekend relax.‘ 

How do you keep it creative and fun for you and your readers?

The structure I have put around my email marketing makes all the difference. I think creativity can easily get completely overwhelmed by too much freedom and too many options. The journal format is a boundary that I can be creative within. And of course, the seasons and the flower field are always changing and growing, so the journal is never the same.

Occasionally, I wonder if my readers have got bored with it and I should shake it up a bit but I get such uproar if I ever suggest it that I daren’t!

When did you start emailing your customers regularly? 

This practice started in June 2019 because it was a particularly good week for roses. I think that’s 130 or so‘. 

What made you acknowledge that email marketing was beneficial to your business?

Fear of missing out really. Everyone talks about email marketing especially with how vulnerable we all are relying on means of connecting that are out of our control. However, I knew I was never going to use it as a means of selling anything unless I really invested in giving as well so I see it as a practice of writing for my own development as much as I do a marketing tool.’

How often do you send an email to your mailing list?

Every single Sunday night at 8pm. Sometimes quarter past if I’m a bit slow.

I have missed two in two years. The first when I went to Derriford on a Sunday to coordinate the build of the intensive care garden as COVID first hit in March 2020 and I was just completely exhausted and overwhelmed. The other was when Christmas fell over a weekend, and I’d had one too many glasses of champagne and I lost track of days…’

How do you prepare content for your emails? Do you have any advice for other businesses? 

Find a structure and stick to it would be my biggest piece of advice.

It not only helps you, but people also know what to expect.

The structure of my newsletter is now a brand identifier for me.

People love it and recommend it to other people and the consistency of it is a huge part of that.’

What reactions do you get from your emails?

People love it, but I do think that I have got so much from writing it too. I’ve developed my voice and my style through the practice of it and I have no doubt that was crucial in me publishing my book, Grow and Gather. I managed to sneak some journal entries in there too! 

I get emails from my readers every week though. Sometimes reacting and responding to something I’ve said. Sometimes telling me how their garden is doing. Sometime just telling me they love reading it.’ 

Emails I have received :

  • Many thanks for your newsletters. Life has been a bit shit the last couple of weeks. To get up and be greeted with your emails, a real tonic. Have a lovely day. Mine will be taming my overgrown allotment, all day! Bliss!!’
  • Your Sunday night newsletters have become something of a weekly touchstone for me, a source of comfort and inspiration in a world turned upside-down. I relish being part of what you so generously share—of planting, place and pack. Of course, I take away hints and tips, although I am always hungry for more. But never underestimate the power of giving us permission to simply be, to simply ‘allow the beauty.’
  • Thank you from the bottom of my heart, your newsletter is always so treasured, this week I don’t really know why, I needed a cashmere blanket, and the comfort your writing always brings.’

How do you get more subscribers to your email list?

 ‘Ah. You have me there!

I am not good at this step, and I am trying hard to improve this. At a very basic level, posting on Instagram that a newsletter has gone out and pointing people towards signing up, making it really clear and simple for them to do so.

I’ve also been very mindful when I am in other spaces (interviews, podcasts, talks etc) that I will always mention the newsletter and my website rather than directing people to my Instagram.’ 

You can sign up to Grace’s weekly newsletter here!

Have you got any email marketing tips for other creative businesses?

  1. You will be absolutely petrified the first time you press send to a list. It doesn’t mean you shouldn’t do it.
  2. Don’t wait until you have something to sell before you send a newsletter.
  3. If you feel overwhelmed, make it smaller until you have something you can commit to as a regular practice.
  4. Don’t commit to sending it on a Sunday night,.It’ll wreck what is meant to be the most relaxing part of *your* week…’

Lorna Brown of Blessed Unrest

Lorna Brown is a textile designer and screen print artist with an established print brand, Blessed Unrest. Since graduating from Edinburgh College of Art, Lorna has worked as a freelance designer and educator for over two and a half decades.

Under her business name, Blessed Unrest, she hand screenprints fabric collections, textile artworks and makes/manufactures more functional products for interiors and fashion, exhibiting and selling throughout the UK at design fairs, galleries and lifestyle retailers and works to private commission

Lorna Brown Blessed Unrest The Design Trust Business Club

When did you start emailing your customers regularly?

‘To be honest I didn’t do this or have a mailing list until The Design Trust course last year and Patricia’s stats about email being the most effective way to communicate, more than social media, so that’s been my inspiration.’

We often hear from businesses that they don’t know what to write. How do you prepare content for your emails?

I never think mine are that good and am still finding MailChimp new and a bit unfamiliar….t itook me days to navigate at first…but I’m getting there, I think.

It always helps when you have interesting things happening, so I often wait till I’ve a nice amount of topics to share and don’t always post monthly or exactly on time at the start of each month.

I never post on a Friday. Usually at the start of the week and either pre-9am or just before lunch so anyone browsing at lunchtime will find it.

My main topics are: new collections I’m working on, inspiring collaborations I’m working on as a teaser or a reveal if it’s finished, products and very occasional discounts, events/exhibitions I want to share or invite my followers to in a more personalised way and my workshops and courses.

I have really noticed a big influence a direct mail out has on my classes. There was a big uptake in the spring mail out which linked the new dates and course content directly to my web page, which was evidence to me that it was successful.’

How do you get more subscribers to your email list?

‘I have a little pop up on my website to encourage visitors to sign up.

I ask people if they’re on my mailing list or would like to hear about news from me and have also created a couple of social media posts over the past year to remind folk that they can join up if they want to hear from me.’

You can sign up to Lorna’s email list here. (The popup will appear!)

How do you keep your emails creative and fun for you and your readers?

‘I really enjoy looking at other mail outs, that are visually interesting first then written content is more likely to be read in my opinion, so I select particular images that I think catch the eye or instantly capture the theme/topic I want to promote.

I mainly try to focus on authenticity and try to get across that it’s me actually talking to you directly as if we were together. I sometimes picture a group of followers sitting in the room and think about my tone, vocabulary and energy…..a kind of marketing meditation if you like…’

Have you got any email marketing tips for other creative businesses?

‘A good place to start is by joining a few mailing lists that interest you by other creatives, craft / design organisations, editorials and makers that have a similar discipline. How do they present their mail outs, what’s their content and how do they link info + visuals or get you to take some action like buying, signing up, visiting etc?  

Be inspired by the parts that you love but always create and develop your own authentic voice and ways of communicating.

I found it a pressure to start with and yet another thing to do in an already over stretched task list, but it does start to get easier the more you are familiar with the tools and templates of direct emailing. I now feel more inspired to promote, sell, invite, and share via direct email and have experienced the direct benefits through sales, commissions, new students, and new connections.

Are you inspired by Ruby, Grace and Lorna to start or improve your email marketing? Let us know in the comments what actions in email marketing you will take as a result of this blog post.

6 ideas to write about in your creative newsletter

Email marketing is one of the most effective tools you have got as a creative!

Email marketing is much better than social media to build a relationship with your ideal clients and to drive traffic to your website, as it’s much more likely that they actually receive your email, plus if they signed up to your newsletter then they are much more interested than your social media followers. Want to know why email is so effective to get sales for your creative business? Read this blog post with 8 reasons why.

But … what to write about in your creative newsletter?

Many creatives struggle with this, so here are some useful ideas that are not too salesy but useful to your newsletter readers too. Because always remember: You need to provide value for your readers for them to want to read your newsletter.

Think always about what’s in it for them first, rather than just promote your creative business. That’s when newsetters can be very useful indeed.

To help inspire you, here are 6 different types of content you can write about in your creative newsletter (with loads of creative ideas and examples):

NEWSLETTER content idea 1: news updates

Share news updates about your business in your emails … it’s a newsletter after all, isn’t it?

Emails are perfect to talk about upcoming craft fairs or trade shows you are planning to do, or when you launch new product collections. Or when a sold-out item is back in stock.

Also think about sharing your news in your newsletters when you win awards or get accepted for a prestigious exhibition, or get featured in the press. This is not boasting! Sharing news like this can really help improve your credibility and profile!

We love this short but very visual blog post on jeweller Carin Lindberg’s website about a statement pebble ring commission. This could easily be included in a newsletter too. A great reminder that you don’t have to write long essays in your email newsletters!

Or share news of your new studio space, your updated website or branding, or when you are doing a photo shoot or got new eco-friendly packaging. Your potential and existing clients love to hear about behind-the-scenes events like this, so do share it with them and don’t forget to add some images too.

Email newsletters are great to keep your audience informed about your progress and what you are up to. Make it more interesting for them to sign up by making them feel special and by adding value: share VIP invites to your events only with your newsletter readers, or let them be the first to get access to your new collection.

NEWSLETTER content idea 2: ROUND UP OF BLOG POSTS or social media videos

Email newsletters are great to drive traffic to your website. Is there a relevant topic that you write about regularly on your blog? Then do a ’round up’ of these various blog posts and promote them in a themed newsletter. This works really well if it’s timely such as blog posts around styling tips for summer or Christmas gift ideas.

Or maybe you have got a series of case studies of your commissions? Then write an email around how to commission you with links to each of the individual case studies. This can work brilliantly!

Not a big writer of blogs but you got great Instagram Reels or Facebook videos? Then again … use your newsletter to drive your interested email subscribers to your videos on social media. Don’t just rely on your social media followers to watch previous videos, you sometimes need to remind people that they are there!

newsletter content idea 3: use your voice & opinion

Is your work about something bigger than ‘just your work’? Have you got strong values around your work, such as sustainability and ecology or equality in design? Or are you an expert, in Japanese textile dyeing techniques or in contemporary riso prints?

Include a short essay, story or personal anecdote in your newsletter. This unique content and developing your voice will connect you so much better with your ideal clients!

Recently we have been really impressed seeing how designer and jeweller Simone Brewster has started to speak out much more in her emails and blogs, about her work and ambitions, about inequality, but also about her inspirations. Really powerful.

And yes, your newsletters can be an extension to the work you create, the topics you tackle, to develop your voice and purpose, to build your credibility and profile.

newsletter content idea 4: user-generated content

Do you ask your clients to take pictures of your work and share them with you, or with their contacts? This is not for everybody, but you might be surprised how happy some of your clients might be to share how happy they are with their wedding ring commission or new leather handbag, or their print for their nursery or the creation they made at your craft workshop.

You can create case studies of client projects and share these as blog posts or in your newsletters. It works really well to ask them for a nice testimonial, and then to use that on your social media, on your website or in your newsletter.

Do you teach (online) craft courses or professional courses? Then ask your students to share their work online or on social media.

Did you solve somebody’s problem? Are you a photographer who made a client really happy with a portrait or you created the perfect ‘small space’ solution with a custom-made piece of furniture? Then talk about that problem and your solution in your emails. It will give other potential clients ideas of how you can help them.

To make a change to text-heavy newsletters: Create a very visual newsletter with images of projects and quotes, or show loads of in-situ images of your clients showing off your work in their homes or offices. Don’t forget to include clickable links within the images back to the specific case studies on your website!

Or simply include images and links to your social media too, where you can encourage your clients to show off their commissions and purchases.

You can even do a call out in your newsletter for clients who are happy to share their purchase, their successes or their questions, and then you can profile them in future emails. People often love being part of your creative business and journey.

newsletter content idea 5: share your knowledge & experience

Are you an expert or teacher? Then answer your potential client’s questions, or give advice. You can write in your emails or refer to blog posts on your website, or maybe organise a free Q&A on Zoom to answer questions and so that people get to know you better?

This will build up your trust, credibility and profile.

And remember that when you are sharing value in your regular emails then people will love to read them, and they will be much more likely to want to buy from you or work with you.

Some creative content ideas to think about here:

  • Are you a local business or proud to be situated in a special location? Then share tips around your favourite local shops and galleries, or walks or restaurants.
  • Answer your potential client’s questions in your blog posts and emails – from how to commission a pet portrait artist to how to select the right fabric for upholstery, or how to translate English knitting terms into German.
  • Share interviews with clients, people in your field, your role models, … by writing them for your blog or organise a Q&A on Zoom. We love the weekly (!) Instagram Live sessions that surface patter designers Mini Moderns organise around a Mid Century designer, colours or brand that they love. These guys have got so much passion for this! And by sharing it on social media, on their website, use clever hashtags for their niche, and then share on their newsletter they truly show their knowledge and expertise for mid century design.
  • Share industry news, the latest colour or jewellery trends, industry gossip, facts, future forecasts, … curate a newsletter that shares useful information.
  • Share your favourite books or podcasts too. Or did you go to an exhibition or craft fair, then write about it! Your newsletter and blog should not just be about you, but about your values and passions and to share that wider knowledge with your readers. Curating content like this is relatively easy and does not need to take up too much of your time.

What do you know a lot about? What are you passionate about? Then start sharing more of that with your audience!

NEWSLETTER CONTENT IDEA 6: TO PROMOTE YOUR PRODUCTS & SERVICES

Yes! Of course … your newsletter is a great place to launch your new creative products and services, to promote upcoming craft fairs or trade shows.

But, remember that your email subscribers didn’t sign up to be pitched to every week by you!

Your email newsletter subscribers sign up to your email newsletter because …

  • they want special treatment e.g access to unique behind-the-scenes details or work-in-progress-videos or special invites for events or first access to your new collections.
  • they want to learn something new, get answers to their questions
  • they want to be entertained – It doesn’t always need to be serious! Big tip: share nice big, inspiring and professional lifestyle images in your newsletters, and write less!

Yes, do promote your creative products and services through your newsletters. Our top tips to get sales through your email marketing are:

  • Send timely emails: Think about when your clients are most likely to buy, and then get in touch with a series of emails that gets them excited about your work.
  • Send visual & short emails with a clear call-to-action: Show how gorgeous your jewellery is or how delicate or cosy your knitwear truly is. Focus on the emotions and why people buy your work. And include a clickable link directly to the product page, NOT the home page as it might be hard to find.
  • Segment your mailing list: Send specific emails to specific groups of people e.g. previous clients need less introduction to who you are and a simple email about a new colour way might be all it takes.
The Design Trsut March Pinterest Topic Ideas for Email Newsletters
If you found this article helpful, please Pin it and share it!

We love email marketing at The Design Trust!

Why? Because we know it works!

Check out our Email Marketing for Creatives course here if you want to improve your email marketing too, if you want to feel less salesy in your emails, and get more sales and commissions.

How much should I spend on marketing? 8 questions to set your crafts or design marketing budget

This real life question was answered by Patricia van den Akker, the Director of The Design Trust, and an award-winning creative business adviser, trainer and coach.

Patricia van den Akker Director of The Design Trust 1

“A good question! But a difficult question to answer … how long is a piece of string?

Firstly I don’t think that marketing needs to cost that much. You can get good results with a) knowing what your marketing & financial goal is, and which marketing activities will get you there, and b) spending enough time to actually DO the marketing! Indeed, it is much more important that you invest time rather than money in clarifying your marketing goals, and then spend time on doing marketing and selling to achieve these goals.

But a marketing budget does help … so what should your budget be? Here are 8 questions to determine the right marketing budget for your creative business:

Q1: How much money can you afford?

Straight forward question – if your budgets are limited than you will not be able to spend as much obviously. But I would dare you to think about marketing not necessarily as a cost, but as an investment, which leads to the following:

Q2: What do you want the return on investment (ROI) to be?

You need to decide on the following:

  • What do you want to achieve with your marketing? What is your marketing and financial goal for say the next 12 months, or for this project?
  • How can you achieve that marketing goal? What are the specific marketing activities that you will need to do?
  • How much would each of those marketing actions potentially cost you (min and max price)?
  • And lastly how much will each potentially bring in in revenue?

You then can decide which one will be the most ‘profitable’.

For example trade fairs are very expensive, but can generate great publicity and access to potential trade buyers. Spending £2,000 on the right trade show for you, can generate a couple of thousands £ of income (in the medium term).

So check what your marketing and financial goals are, what the most effective ways are to achieve them, make a list of the costings and predict how much income they will generate (short and medium term).

Talk to other creatives to make sure that your predictions are realistic. For example many people invest heavily in a new website, but actually it is really difficult to generate enough traffic to come to your website, let alone that people buy from you. A website is NOT a quick fix solution. It takes time, effort and dedicated time to drive traffic to your website before you will get any online sales. Often it is better to have a fairly simple website to start with, and have an additional online presence through online shops and portfolio websites who already generate the kind of traffic and clients you are looking for.

Q3: How much did you spend last year?

Many people check how much they spend last year, and then spend more or less the same amount in this financial year. A very common way to decide on your marketing budget!

Q4: Where do you live?

Some marketing related fees differ hugely, depending on where you live. Those in London and the South East will often spend more on PR, photography and printing costs.

It might be really worthwhile to shop around and use a marketing expert, designer, photographer or developer from outside of the Capital.

Q5: How established are you?

It is normal that if you are a new creative that you will need to spend much more time and money on marketing than if you are a more established business. When you start out you will often need basics such as a brand, presentation material, good photography, a website or other online presence

On the other hand, if you are more established you might need to research in more detail what the competition is up to or what your ideal clients expect:

Q6: What does your competition spend on marketing?

This is not easy to find out exactly, but sometimes you will need to match your marketing effort with your direct competitors.

  • How much are they spending roughly? Have a look at their website, social media or trade show stand and guess what they are spending.
  • How glamorous is their brochure, website, packaging, private views, exhibition designs, canapees, …
  • Have they got a PR agent, where do they advertise or which trade shows will they do?

Q7: What kind of market or clients are you aiming for?

The more luxurious your ideal clients the more likelihood it is too spend more on your marketing. Full colour brochures, gold lettered logos on black velvet packaging, flowers in your studio – they all create the atmosphere and brand you want, but it does cost money.

Especially if you have ambitions to grow your business, to become more known and raise your profile, then you often will need to spend accordingly. (Although creativity and your own hard work can do wonders to get noticed sometimes too!)

Q8: Last but not least: Percentage of turnover

If you have taken all of the above into account, then there is also a bit of a guidance from market research, which suggest that your marketing budget should be between 5 – 10% of your turnover on marketing. But note that if your turnover is low, this % should actually be higher.

top tips to save money on your marketing budget:

  • Shop around! Get at least 3 quotes, do speak to various people and get recommendations. Make sure you get the right adviser or professional to help you.
  • Set your own marketing budget, and then go with this maximum amount to various potential providers and see what they can deliver for that amount. This will make sure that you won’t go overboard or overspend.
  • Don’t always go for the cheapest option, but see what they can potentially contribute to your business. Make sure you work with professionals, so that you don’t waste money or time unnecessary as you probably don’t have either.
  • See if you can do a swap with somebody e.g. a photographer who wants a website can swap with a web designer.

How do you set your marketing budget? Feel free to share with comments below. If you liked this post, why don’t you share it with others?